A. VOCATIONAL INTEREST BASE

1 A. VOCATIONAL INTEREST BASEDANCE ART A. VOCATIONAL INTE...
Author: Ivan Setiabudi
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1 A. VOCATIONAL INTEREST BASEDANCE ART A. VOCATIONAL INTEREST BASE

2 STANDARD KOMPETENSI 1. Applies Body Sensitivity1.1. Applies sensitivity of motion stimulus example wolk runs bows Motion is done [by] for requirement functional specific-purpose 1 Motion of Locomator ( motion done migrates) Motion Nonlokomotor ( motion done without making a move) Motion is divided two 2

3 1.2. Applies sensitivity of rhythm stimulusRhythm can be stimulated from path quickly slow of motion and accompaniment Motion rhythm and music rhythm is not always is at the same ( accompaniment quickly but slow motion) Quickly slow of movement influences the short length duration of time

4 3. Applies Time SensitivityELEMENTARY INTEREST 3.1. Using duration sensitivity form ener5gy DANCE ART (Main media: Motion Human body) rythm dinamic Quickly slow of movement influences the short length duration of time

5 DANCE ART B. VOCATIONAL INTEREST

6 1. Comprehends development of national and international dance1.1. identification of National dance Dance borns because there are man kratifity and diversity of form of dance Nasional hardly influenced by condition of local social and culture. 12. The role of dance Nasional Dance art living in its(the function Indonesia as supporting facilities for dance actor communications through motion expression either individually and also group. Basically dance is created to fulfill requirement of human life, requirement of taste estetik and expression. 13. Function of dance Dance functions for various nmacam requirement, for example : requirement relates to God, communicates with audience, penghayat and also critic.

7 2. Applies motion of National and international dance2.1. Characteristics keunikan of motion of dance Having artistry , including in it dance art is movement to lay open experience of mind and someone feeling , with harapak to get comments from others ( Sal Murgiyanto) Motion is soul in dance. Motionless dance will not have any meaning. Dance life energy,power would seen dynamic or flat depended from motion done. 2.2. Subdividings of motion of dance based on genre Dance Minang a. applies element pencak kunfu as motion base of its(the dance b. dynamic movement c. strength of motion at foot/feet d. social life dimension had an in with choreography structure

8 Sunda Dance Has resemblance with Central Java dance.There is two center development of dance : kraton Cirebon , Kasunanan and Kasepuhan Dance Surakarta ( Central Java) In the begining life in bricking up kraton, Kasunanan and Mangkunegara. Dance coming from within keraton many movement containing philosophy.

9 3. Applies accompaniment of national and international dance31 Keunikan of accompaniment of dance To realize one fully unities between dances with accompaniment there must be rhythm elements, melodi,harmoni and form. 32 Comparing keunikan of accompaniment of dance Accompaniment as its(the type dance expression supporter all kinds. example: 1. Achenese didong music 2. Music Groans from Middle Temanggung Jawa 3. Javanese whiteheads Music of West 4. Javanese Gamelan music Gamelan Jawa

10 Gamelan Bali Gamelan Degung3.3. Classifying accompaniment of dance Accompaniment of Dance there are two types ; internal accompaniment and accompaniment eksternal a. Internal accompaniment is musical instrument to line dance which generated by itself dancer either by means of and also no. b. Accompaniment eksternal is musical instrument or accompaniment music of dance which generated by dance supporter others. 3.4. Executing accompaniment becoming typically The relation of very very tightly music and dance, with practice of our accompaniment can train speed, intensity, accentual and degree of regularity of movement of body Gamelan Bali Gamelan Degung

11 4. Applies arranging make up and arranges dance cloth4.1. Descriptions arranges rias and arranges cloth Arranges rias and arranges cloth is one fully unities with dance, because is reflection visually shows figure and area of from the dance. 4.2. Executing arranges rias and arranges dance cloth

12 5. Does appreciation of single dance5.1. Single dance descriptions Unique dance , a show of dance done by one good fellows with story or non story. Example: 1. Baris Dance 2. Dance Gatutkaca Gandrung 3. Dance Jaipong

13 5.2. Show appreciations of single danceGatutkaca Dance Baris Dance Jaipong Dance

14 6. Appreciation of Couple dance6.1. Couple dance descriptions 6.2. Show appreciations of couple dance Couple dance Based on theme Dance Bondoboyo Dance Bondoyudo DanceTandingan Couple dance Based on story Dance Srikandi Larasati Dance Gatutkaca-Antasena Dance Bambangan Cakil

15 6.1. SHOW APPRECIATIONS of COUPLE DANCEDance Bandabaya Dance Bambangan Cakil Dance Rama Sinta

16 7. DANCE APPRECIATION TEAMSUNDERSTANDING of DANCE ART APPRECIATION An activity or looks on a form of dance masterpiece by the way of observing and analyses content ( meaning) which implied in the dance choreography. PURPOSE OF To fulfill requirement of soul as life balance , so that can form personality fullyly 7 ACTIVITY STEP of DANCE ART APPRECIATION 1. Perception 2. Knowledge 3. Understanding 4. Analysis 5. Assessment 6. Appreciation 7. Production Seni Kerajinan dan Pariwisata

17 DANCE APPRECIATION TEAMSRamayana dance

18 8. Appreciation of Dance tells a storyWhat intended dance to tell a story is dance depicting figure from a story either having the character of unique, couple and also group. example Dance Gatutkaca Dance Rahwana Dance Srikandi Mustakaweni Dance Karno Tanding Dramatari Ramayana

19 9a. Does individual dance1. Dance Putri 1) attraction of motion of Base part of I 2) attraction of motion of Base part of II 3) Does dance Gambyong a. Onward beksan b. Kebaran c. Ciblonan ( gambyongan) d. Kebaran e. Backing-off beksan 4) Attraction of Dance Golek b. Beksan c. Backing-off beksan 5) Attraction of Dance Lenggeran

20 4) Does Dance Pamungkas a. Onward beksan b. Beksan c. Perang Kengseran2. Dance Putra Alus 1) attraction of motion of Base part of I 2) attraction of motion of Base part of II 3) Does Dance Gambiranom a. Onward beksan b. Beksan c. Action d. Backing-off beksan 4) Does Dance Pamungkas a. Onward beksan b. Beksan c. Perang Kengseran d. Perang tangkepan e. Backing-off beksan

21 c. Does Dance Ekaprawira a. Maju beksan b. Beksan c. Jurus 3. Dance Putra Gagah a. attraction of motion of Base part of I b. attraction of motion of Base part of II c. Does Dance Ekaprawira a. Maju beksan b. Beksan c. Jurus d. Mundur beksan 4) Does dance Menakjingga c. Kiprah 5) Does dance Klana a. Maju Beksan

22 9.b. Does dance individu 1. Compiles idea and concept to compile single dance 2. Determines theme 3. Executes exploration of motion 4. Determines motion to dance unique 5. Compiles choreography structure 6. Determines accompaniment of dance 7. Determines design rias and cloth design Dance art Idea idea comes from experience Ekplorasi motion

23 10.a Does coupel dance 1. Dance Putri1) Menarikan Tari Retna tinanding a. Maju beksan b. Beksan c. Mundur beksan 2. Dance Puitra Alus 1) Menarikan Tari Sancaya-Kusumawicitra c. Perangan d. Mundur beksan

24 3. Dance Putra Gagah 1) Attraction of Dance Bandayuda a. Maju beksan b. Beksan c. Perangan d. Mundur beksan 2) Attraction of dance Menakjingga-Ranggalawe c. Perang

25 10.b Dancing coupel dance Applies make up and cloth Presentsinterpretation of Content couple dance Applies make up and cloth Accomodates Accompaniment Presents Couple dance

26 11.a. Does Group Dance Expression1. Dancing Srimpi dance 1) Maju beksan 2) Beksan 3) Mundur beksan 2. Dancing Bedaya dance

27 11.b. Does Group Dance Expressionmakes idea Exsplor motion Improvisation motion Express

28 12. Does dance x'self expression to tell a storyCompiles idea Explorasi Compiles motion manner

29 13. Does performing Prepares show Exploits Multi media Executes Show